JingTao Cui,Jing Jin,LuKai He

This study examines Zhuhai's ‘Sanzao Paper-cutting’ and its animated adaptation Crane Language as a case study. Adopting a semiotic theoretical perspective, it explores how paper-cutting art transitions from a static visual symbol to a dynamic semiotic system through animation, thereby establishing effective modern communication pathways. The research encompasses: 1. The patterns, lines, and colors of paper-cutting constitute its ‘signifier’ layer, while the underlying folk beliefs, regional culture, and auspicious wishes form its profound “signified” connotations. 2. An examination of how the animation medium achieves the ‘dynamic translation’ and ‘semiotic construction’ of paper-cutting symbols. 3. Building upon the dynamic symbolization outcomes, it explores how animated, narrative-driven paper-cut symbols better align with the dissemination logic of short-form video platforms. Research Methodology: The study employs literature review to trace the semiotic and communication theories underpinning paper-cut animation. It utilizes case analysis, integrated with the creative practice of Crane Language, to dissect its three-dimensional symbolic transformation mechanism—from signifier to signified to interpretation. Research Conclusions: Paper-cut animation constitutes a profound semiotic practice. Through media translation and dynamic narrative, it successfully reconstructs closed traditional symbolic systems into open, interactive modern cultural sign systems. This provides a paradigm reference for the living transmission and innovative dissemination of intangible cultural heritage, combining theoretical depth with practical validity.

Paper-cut animation; Semiotics; Intangible cultural heritage; Dynamic representation; Digital dissemination

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