Qiong Wu,Jingnan Xie

In today's market environment, the misuse of traditional patterns has evolved from localized irregularities into a systemic crisis in cultural inheritance. So-called "innovations" that deviate from cultural origins—such as misaligned Bagua directions and fragmented Five Thunder Symbols structures—not only severely undermine the sacredness and philosophical connotations of traditional symbols, but also risk causing meaninglessness and identity fractures in traditional culture during modernization. This study uses ceramic patterns as empirical evidence, employing field investigations and interdisciplinary integration to construct a dialectical framework of "preserving orthodoxy while innovating." It proposes a "three-stage transformation" theoretical model for the modern design adaptation of traditional culture. The findings provide systematic recommendations combining theoretical depth and practical validity for the creative transformation and sustainable development of traditional culture in contemporary society.

traditional ornamentation; cultural transformation; modern design

[1] China Fashion Brand Development Trend Report. [2] Big Data Engine.2023 Cultural and Tourism Industry Focus Report. [3] Liu Guanzhong.Methodology of Design Praxis. [4] The Palace Museum:A report on the evaluation of public education effectiveness.

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