Yaoyang Chen

Traditional artistic creation models are facing systemic difficulties in efficiency, and stylization as a result of the introduction of Artificial Intelligence (AI) into creative production. This research shows that AI art and traditional art are very different in terms of what drives the artists (impulsive desire vs. intentional goals), what the processes are worth (embodied praxis vs. spiritual externalization), and what the art looks like.Besides,based on phenomenology and art philosophy, this paper proposes that traditional art be reconstructed through Processual Presence, i.e., the visualization of traces of creation, a sense of participation in the artistic act, and a transformation of the form of skill transmission to build a differentiated survival strategy.Finally,thisessayvalidates the theoretical plausibility of "process is value"according toartist cases and market data,thengives an interdisciplinary reference for traditional art's value positioning in an era of technological predominance.

Art-making process; Artificial Intelligence Art; Irreproducibility; Corporeality; Value Reconstruction

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