Bin Liao,Liang Liu

From the operatic accompaniment of the Baroque period to the art songs of the Classical period, and on to the piano-accompanied vocal cycles of the Romantic period, vocals and piano have always been interdependent and complementary, weaving countless touching musical chapters together. With the continuous development of musical art, the synchronicity between vocal lines and piano performance has gradually become one of the important criteria for measuring the quality of musical performances. Synchronicity is not only a technical aspect of musical performance but also involves the profound exploration of aesthetic value. This article aims to explore the connotation, manifestation, and realization of synchronicity between vocal lines and piano performance from an aesthetic perspective, providing theoretical support and practical guidance for musical performance practice.

vocal line; piano performance; synchronicity; aesthetics

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