作者
Le Cao
文章摘要
Hip-Hop Music, a vibrant and globally renowned musical genre, has captivated audiences worldwide with its distinct blend of rapid tempo, powerful rhythm, and lyrics that often resonate with themes of defiance and resilience. While it originated in the United States, Hip-Hop Music has transcended geographical boundaries, evolving and adapting to reflect the diverse cultures and societies it encounters. In China, this musical form has undergone a unique transformation, blending elements of traditional Chinese culture with the raw energy and urban vibe of Hip-Hop. This fusion has not only showcased China's rich cultural heritage to a global audience but has also allowed for the expression of contemporary social issues and concerns through a new and innovative musical lens. As a result, Hip-Hop Music in China has become a platform for cultural exchange, allowing for the sharing of stories, experiences, and perspectives from both East and West. Through its evolution and localization, Hip-Hop Music has not only enriched China's musical landscape but has also contributed to the ongoing dialogue between cultures, fostering a greater understanding and appreciation of diversity in all its forms.
文章关键词
Hip-Hop Music Culture; China; Localization; Media Impact; Cultural Adaptation
参考文献
[1] Toop D.The rap attack:African jive to New York hip hop.London:Pluto Press;1984.
[2] Watkins SC.Representing:hip hop culture and the production of Black cinema.Chicago:The University of Chicago Press;1998.
[3] Cheeseman T.Polyglot politics:hip hop in Germany.Debatte:Review of Contemporary German Affairs 1998;6:191–214[May].
[4] Osumare H.Beat streets in the global hood:connective marginalities of the hip hop globe.J Am Comp Cult 2001;2:171–81[Spring/Summer].
[5] Lin Y,Wang T.Rhyming style,persona,and the contested landscape of authentic Chinese hip hop.Journal of Sociolinguistics.2024 Apr;28(2):22-41.
[6] Wang Y.Musical taste preferences in Chinese hip ‐ hop:Between cultural openness and the rejection of vulgarity.Sociology Compass.2024 Jan;18(1):e13168.
[7] Zhang Han,Analysis of Hip Hop Music's Position in China-Taking"The Rap of China"as an Example[J],Journal of news research,Vol.9 No.9,May 2018
[8] Chinese rap chronicle(on):Who is China's first hip-Hop album?
[9] "Kung Fu,Black Rod Leading the North and South Hip-Hop Culture".
[10] Ling X,Chen Y,Zhao S,Zheng D.What do we know:positive impact of hip-hop pedagogy on student's learning effects.Frontiers in Sports and Active Living.2025 Jan 6;6:1490432.
[11] Hu X."I Have Become a Warrior in the Xiang Army":Legacies,Nostalgia,and Identity in Chinese Regional Hip-Hop.Hip.2024;1(2).
[12] Tang H.Explore the Historical Context of Chinese Hip-hop/Rap Music:Construction of Chinese Blackness Field,Dialect Rap,and"Keepin’it Real"of Mainstream Official Upsurge.Future Human Image.2024(21):57-76.
[13] Hess M.Metal faces,rap masks:identity and resistance in hip hop's persona artist.Pop Music Soc 2005;28(3):297–311.
[14] Osumare H.Beat streets in the global hood:connective marginalities of the hip hop globe.J Am Comp Cult 2001;2:171–81[Spring/Summer].
Full Text:
DOI