Ze Chen,Qianfang Wei

The "nationalization" of Chinese piano music has been one of the core propositions in music creation over the past century. Its essence lies in how to convey the cultural connotation and artistic charm of Chinese national music through the instrumental characteristics of the Western piano. The piano work "Xinjiang Dance Music" by contemporary composer Zhuang Yao, which takes Tajik folk songs from Xinjiang as creative materials, has made fruitful explorations in melody processing and modal innovation, becoming a typical example of the nationalized creation of Chinese piano music. Taking "Xinjiang Dance Music" as the research object, this paper discusses its creative logic and artistic achievements in the nationalized expression of piano by analyzing the source and artistic processing methods of the work's melody materials, as well as the breakthrough and innovation of the modal system, so as to provide theoretical reference and practical experience for the further development of the nationalization of Chinese piano music.

Chinese piano music; nationalization; Tajik music; creative characteristics

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